M.L. Snowden

Alluvia
Alluvia
20x28x38
Omega - Right
Omega - Right
Lightsurge
Lightsurge
43x24x15
Windscarf
25 x 16 x 20
Gabriel
Gabriel
Octahedron
Octahedron
24" x 22" x 22"
Ariel - Back
Ariel - Back
Altair
26 x 18 x 12
Octahedron
24 x 22 x 22
Michael - Left
Michael - Left
Gabriel - Left
Gabriel - Left
Ion
30 x 13 x 33
Raphael - Left
Raphael - Left
Ariel Button
Nimbus
43 x 24 x 15
Golden Spiral
The Golden Spiral
26" x 24" x 10"
Michael - Back
Michael - Back
Ariel - Right
Ariel - Right
Raphael - Back
Raphael - Back
Ariel - Left
Ariel - Left
Orion - Left
Orion - Left
Gabriel - Back
Gabriel - Back
Altair
Altair
26" x 18" x 12"
Michael - Three Quarter
Michael - Three Quarter
Aeolia
Aeolia
26x25x36
Seismic Ray
Seismic Ray
54x10x10
Halo*
Halo*
36x37x10
Windscarf
Windscarf
25x16x20
Gabriel - Three Quarters
Gabriel - Three Quarters
Quartet Button
Altair
Altair
26x18x12
Gabriel Button
Gravity
Gravity
46x24x10
Raphael
Raphael
Raphael - Three Quarter
Raphael - Three Quarter
Lightsurge
43 x 24 x 15
Devonian Sea Fan
Devonian Sea Fan
24x15x24
Omega
Omega
Omega Nebula
Devonian Seafan
24 x 15 x 24
Orion - Back
Orion - Back
Valentine Sea Fan
Valentine Sea Fan
24x15x24
Raphael Button
Amethyst Geode IV Falling Fragment
Amethyst Geode IV Falling Fragment
21x16 diameter
The Golden Spiral
The Golden Spiral
26x24x10
Aeolia
26 x 25 x 36
Octahedron
Octahedron
24x22x22
Lightspire
Lightspire
60x17x14
Orion Nebula
Seismic Ray
54 x 10 x 10
Nimbus
Nimbus
43x24x15
Michael Button
Orion
Orion
Orion - Right
Orion - Right
Omega - Left
Omega - Left
Michael
Michael
Amethyst Geode IV
21 x 16
Ion
Ion
30x13x33
m.l. Snowden

M.L. Snowden has spent her life surrounded by sculpture. Her earliest memories and every waking moment of her life include sculpture. From the age of four, she played in her father’s sculpture studio watching him with the unwavering attention of a child enthralled and enchanted. At the age of seven she began working with clay along side her father.

"Clay is a magic material. It’s a mystery. Rodin saw it for himself when he came upon clay, that this was like an epiphany. It was this transformation, this fire that occurred. Everything that you are and you intend comes through and it’s still a mystery to me how what I feel evidences itself in what I have made."

As she grew, she learned Rodin’s transcendental sculpting techniques from her father, George Holburn Snowden, who had in turn been a favored student of Robert George Eberhard, a protégé of the great French sculptors Auguste Rodin, Anton Mercie and Victor Peters. Each of the generations -- the French masters, Swiss-born Eberhard, and American-born George Snowden -- has contributed to the evolution of a unique heritage of sculpting that finds its contemporary expression through the spectacular works of M.L. Snowden.

Part of that heritage comes through the original sculpting tools of Auguste Rodin that have been passed from mentor to protégé for three generations. The tools, some of which she uses in sculpting her own works, are a symbol for Snowden -- a symbol of the awe-inspiring foundation upon which her work is based. They provide a physical connection with the artistic inheritance that has been passed down to her and represent the utter devotion to sculpture of the artists who are part of Rodin’s legacy.

Snowden’s own devotion to sculpture has been acknowledged through the awards that have been bestowed upon her and her work. At the age of 36, she received the inaugural Alex Ettl Grant from the National Sculpture Society for "Lifetime Achievement in American Sculpture". In 1992, she was awarded the world’s most prestigious sculpture prize -- the International Rodin Competition Special Grand Prize -- for her sculpture "Cataclasis". Early in her career, she was awarded post-graduate study grants to the Vatican Collections in Rome, the Uffizi in Florence, Italy and the Louvre in Paris.

 

Link to Archangel quartet:

Archangel Quartet Button

 

To see Snowden speaking about her new work, Click Here.