M.L. Snowden

Tectonics
Tectonics
26x29x35
Lightwave
Lightwave
37x31x7
Seismic Ray
Seismic Ray
54x10x10
Cytoblast
Cytoblast
approximately 26x18x18
Alluvia
Alluvia
20x28x38
Aeolia
Aeolia
26x25x36
Lumina
Lumina
50x20x8
Meteorite
Meteorite
46x18x10
Amethyst Geode I Stabilized
Amethyst Geode I Stabilized
20x20 diameter
Halo
Halo
36x37x10
Lightsurge
Lightsurge
43x24x15
Nimbus
Nimbus
43x24x15
Terra
Terra
20x28x38
Pacific Seawall
Pacific Seawall
48x40x36
Rain Pillar
Rain Pillar
34x16x15
Sea Creates
Sea Creates
36x55x48
Atria
Atria
approximately 26x18x12
Verdura
Verdura
52x32x33
Amethyst Geode III Inverted
Amethyst Geode III Inverted
21x15 diameter
Valentine Sea Fan
Valentine Sea Fan
24x15x24
The Golden Spiral
The Golden Spiral
26x24x10
Spiral Helix X
Spiral Helix X
68x24 diameter
Spiral Helix Y
Spiral Helix Y
50x36 diameter
Lightspire
Lightspire
60x17x14
Octahedron
Octahedron
24x22x22
Infinitum
Infinitum
24x17x14
Genesis
39x20x25
Photon
Photon
66x30x12
Glacier
Glacier
32x12x12
Windscarf
Windscarf
25x16x20
Angstrom
Angstrom
72x15x17
The Golden Triangle
The Golden Triangle
44x26x14
Altair
Altair
26x18x12
Lumenarc
Lumenarc
70x20x10
Devonian Sea Fan
Devonian Sea Fan
24x15x24
Ion
Ion
30x13x33
Antares
Antares
26x18x12
Amethyst Geode IV Falling Fragment
Amethyst Geode IV Falling Fragment
21x16 diameter
Gravity
Gravity
46x24x10
Lumeno
Lumino
50x20x8
Caledera
Caldera
20x28x38
Cambrian Sea Fan
Cambrian Sea Fan
36x25x25
ML Snowden

M.L. Snowden has spent her life surrounded by sculpture. Her earliest memories and every waking moment of her life include sculpture. From the age of four, she played in her father’s sculpture studio watching him with the unwavering attention of a child enthralled and enchanted. At the age of seven she began working with clay along side her father.

"Clay is a magic material. It’s a mystery. Rodin saw it for himself when he came upon clay, that this was like an epiphany. It was this transformation, this fire that occurred. Everything that you are and you intend comes through and it’s still a mystery to me how what I feel evidences itself in what I have made."

As she grew, she learned Rodin’s transcendental sculpting techniques from her father, George Holburn Snowden, who had in turn been a favored student of Robert George Eberhard, a protégé of the great French sculptors Auguste Rodin, Anton Mercie and Victor Peters. Each of the generations -- the French masters, Swiss-born Eberhard, and American-born George Snowden -- has contributed to the evolution of a unique heritage of sculpting that finds its contemporary expression through the spectacular works of M.L. Snowden.

Part of that heritage comes through the original sculpting tools of Auguste Rodin that have been passed from mentor to protégé for three generations. The tools, some of which she uses in sculpting her own works, are a symbol for Snowden -- a symbol of the awe-inspiring foundation upon which her work is based. They provide a physical connection with the artistic inheritance that has been passed down to her and represent the utter devotion to sculpture of the artists who are part of Rodin’s legacy.

Snowden’s own devotion to sculpture has been acknowledged through the awards that have been bestowed upon her and her work. At the age of 36, she received the inaugural Alex Ettl Grant from the National Sculpture Society for "Lifetime Achievement in American Sculpture". In 1992, she was awarded the world’s most prestigious sculpture prize -- the International Rodin Competition Special Grand Prize -- for her sculpture "Cataclasis". Early in her career, she was awarded post-graduate study grants to the Vatican Collections in Rome, the Uffizi in Florence, Italy and the Louvre in Paris.

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