Paul Tamanian

Outer Reach*
Outer Reach*
64" x 44"
Swirl
Swirl
50"h x 25"w x 17"d
Fab-Deloo*
Fab-Deloo*
35" x 53"
Velvet Stare*
Velvet Stare*
58" x 32"
Amberlude
Amberlude
58" x 40"
Fab Deloo 2
40" x 32"
Slow Drift 2
Slow Drift 2
35" x 66"
Free Wheelin
Free Wheelin
58" x 46"
Invincible Hue
Invincible Hue
48" x 24"
Floating Why
Floating Why
76" x 43"
Marble Punch*
Marble Punch*
77" x 45"
Splish
Splish
30" x 30"
Dreaming Near
Dreaming Near
42" x 70"
Spring Solstice
Spring Solstice
41" x 20"
Leaning Grin
Leaning Grin
40" x 70"
Blue Shock
Blue Shock
76" x 40"
Brownsville Whirl
Brownsville Whirl
42" x 72"
Splash
Splash
30" x 30"
Solo Motion
Solo Motion
42" x 52"
Stare Junior
Stare Junior
24" x 24"
pt12
pt12
63" x 40"
Whirl
Whirl
57"h x 29"w x 14"d
Red Jr. Suite
Red Jr. Suite
10" x 10" each
Indigo Yellow
24" x 24"
The Edge of Why*
The Edge of Why*
47" x 29"
One Moment
One Moment
45" x 27"
Slip Dream
Slip Dream
36" x 66"
Mellow Friction
Mellow Friction
44" x 70"
Uncommon Trance Diptych
38" x 43"
Aqua Blur
Aqua Blur
72" x 44"
Supercalafragulistic*
Supercalafragulistic*
40" x 63"
Righteous Flow*
Righteous Flow*
44" x 40"
Atomic Square
Atomic Square
24" x 24"
Quiet Comes
Quiet Comes
27" x 69"
One Moment*
One Moment*
27" x 45"
Summer Grin*
Summer Grin*
38" x 60"
Joyful Daze
Joyful Daze
53" x 46"
Just Beneath the Surface
Just Beneath the Surface
44" x 47"

Paul Tamanian is an American artist born in New York and currently residing in Tallassee, Florida. He received a degree in interior design from Florida State University and went on to show his first exhibition at a small gallery in Havana, Florida, in 1992. He then progressed to exhibit his works across the United States, including at the Boca Raton Museum, in Florida's Capitol building, and at Florida A&M University. He has also been invited to show his works in the company of some of America's foremost craftsmen and artists, including William Morris, Jun Kaneko, and Richard Jolley.

Tamanian uses a variety of mediums and glazes to create each piece, including traditional glazes, industrial fabric dyes, automobile paints, and odd chemicals that alter texture and/or color.

Paul Tamanian has been described as a “new millennium artist in the most adventurous mode.” The image vocabulary he has developed captures contemporary visualizations of nature, from cool molecular lattices to fiery geologic formations to cosmic pillars of radiant dust. In his present series of paintings, he wreaks havoc upon sheets of aluminum in order to coax extraordinary colors and textures from them. Guided solely by his innate sense of beauty, he stops the process when the chaos of creation produces a fully satisfying, balanced intensity. Splashing, grinding, torching are integral parts of his protean technique, resulting in glittering panels of transformative energy.