Mark Erickson

Victoria III
Victoria III
12 x 12
The Branches and the Trees
66x43
Sun Cased Babylon
48 x 36
Lumen's Desire
22x22
Wild Wild West (Old Glory Series)
Wild Wild West (Old Glory Series)
60x36
Acid Mother Marbles
Acid Mother Marbles
16 x 12
499 Grams
499 Grams
24 x 20
Three Seconds III*
Three Seconds III*
10 x 10
In the Mirror She Wrote
36x24
The Reminder of Bees
24 x 18
Mercury Rising
22x22
Eva I-IV (Lumens Series)
Eva I-IV (Lumens Series)
10x10
Into the Dust*
Into the Dust*
28 x 22
Suspended in Daylight
65.5"x71.5"
Lumen's River View III
Lumen's River View III
10x10
In a Silent Way
In a Silent Way
22x22
New Orleans II (Cityscape 2008)
New Orleans II (Cityscape 2008)
24x24
Above the Door Staring Down
59"x64"
Tilt Acid Blues
Tilt Acid Blues
24 x 18
Shimmer
55.5"x66"
Red Birds I by Mark Erickson
Red Birds I
24x24
The Chances of Reason
37.5"x36"
Red Birds III by Mark Erickson
Red Birds III
24x24
In the Glare of the Morning
In the Glare of the Morning
40x15
Field Dancers I
Field Dancers I
14x14
Three Seconds II*
Three Seconds II*
10 x 10
Lumen's River View IV
Lumen's River View IV
10x10
Three Seconds I*
Three Seconds I*
10 x 10
Rendezvoux I-IV (Lumen Series)
Rendezvoux I-IV (Lumen Series)
16x16
For Ants and Fish the Birds Dance
22x65
Cityscape-City of New Orleans-2007
Cityscape-City of New Orleans-2007
24x24
Redscape I
Redscape I
24x24
Red Birds
Red Birds*
22x22
Mark Erickson

Looking at a painting by Mark Erickson is an experience in color and movement. Bright areas of pigment slash across a brilliant background or float above expansive landscapes. The viewer is gripped by an immediate and powerful response to the sheer explosion of color and the substance of the paint itself. Various areas of colors exist on what appears to be a vast assortment of planes. Some areas leap out and seem to float in front of the canvas. Others fall back, beckoning the viewer to enter further into the painting. The work is entirely original. The concerns are those of an artist fascinated by his own visions and ever mindful of the materials he employs. The work can be experienced as a kind of 'journey' in which one can encounter cool blue lakes and fiery mountains.

Mark Erickson was born in Hollywood, California. His early education was completed in California, Germany and Italy. He is a product of his experience on both continents and a family history combining the traditions of East Coast aestheticism and Wild West freedom. His mother and grandmother were New York artists. They studied under Hans Hoffman and knew Franz Kline before World War II. Erickson's father was an aircraft designer and pilot, his father's father a cowboy and a marshal in the Dakota Territory.

After attending college in Southern California, Erickson moved to San Francisco. He completed his education at the Art Institute, Academy of Art and the University of San Francisco. He has had one-man shows in New York, Los Angeles, San Francisco, New Orleans and Carmel and has collectors from across the U.S. as well as Germany, Japan, Switzerland, Italy, England, Hong Kong, New Zealand and Australia.

Erickson's work has evolved steadily and contains a confidence and maturity gained only by dedication and talent. Sometimes the paintings have a more urban energy with whirring colors flying across a brightly lit metropolis. The shapes, so perfectly formed, propel the pigment off the surface of the canvas. Erickson, transforming the flat plane, breathes life and depth into his paintings and pulls the viewer into the experience. He does this by modulating color against color and form against form in such a way that you feel you can travel within the work.

Erickson humorously refers to himself as a "blue collar painter". He has a tremendous work ethic and is in his studio nearly every day. It is easy to see his quick progression in experimenting with differing aesthetic issues and emerging with his own very original and individual voice.

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