Terri Hallman

Do Re Me
Do Re Me
24 x 48
708-01
708-01
44x29.75
308-11
308-11
41x30
Golden Apple
Golden Apple
24 x 36
Single Face (giclée)
Single Face (giclée)
23x18
Solemn (giclée)
Solemn (giclée)
44x30
Standing Figure
Standing Figure
40x12x8
1008-08
1008-08*
40x30
Little Peep
Little Peep (Tumbler)
12x5
1008-07
1008-07*
40x28
306-04
306-04*
40x30
302-05
302-05
22x47.5
Untitled #2 (giclée)
Untitled #2 (giclée)
33.5x25
408-05
408-05
22x30
408-06
408-06
22x30
Untitled #5 (giclée)
Untitled #5 (giclée)
20.5x19.5
109-01
109-01*
40x30
Focus (giclée)
Focus (giclée)
44x23.5
901-18
901-18
44x30
709-01
709-01
44x30
610-01
610-01
30x20
1006-07
1006-07*
44x30
208-13
208-13
30x30
306-05
306-05*
40x30
Posture (giclée)
Posture (giclée)
44x30
Honeycomb
Honeycomb*
40 x 28
408-03
408-03
44x30
Untitled #1 (giclée)
Untitled #1 (giclée)
35x25
1107-02
1107-02
30x30
Greeter
Greeter
15x6
Winter Roses (giclée)
Winter Roses (giclée)
23x17.5
Alcyone*
40 x 28
Sisters
Sisters*
24 x 24
709-05
709-05*
40x30
Untitled #4 (giclée)
Untitled #4 (giclée)
20.5x19.5
Striped Tumbler
Striped Tumbler
24x14
Untitled #3 (giclée)
Untitled #3 (giclée)
35x25
709-02
709-02*
40x29.5
Seven Patterns* by Terri Hallman
Seven Patterns*
39 x 27
308-08
308-08
26.25x21.75
408-07
408-07
44x30
Echo
40 x 28
Aquarius*
22 x 22
Alcyone
Alcyone Sculpture
27.5x12x9
Tree of Life
Tree of Life
36 x 36
Orange
Orange
37x17
Fracture (giclée)
Fracture (giclée)
44x23.5
Words
36 x 36
308-09
308-09
26.25x21.75
Bond (giclée)
Bond (giclée)
23x18
Great River
The Great River*
22 x 22
Windows
Windows
22 x 22
Light
Light
36 x 36
902.16
902-16*
43.75x30
Sculpture
unnamed figure
Terri Hallman

Terri Hallman was born in a small town in Wisconsin in 1962. She earned her Bachelor’s Degree in design from the Minneapolis College of Art & Design which she attended from 1986 until 1992. Hallman worked in the design field from 1987 until 1991, winning two International awards for Packaging Design What is so special about Hallman’s abstract works is that at first they seem primitive, her subjects are simple. Yet upon further observation there are layers of depth and emotion. Her colors are remarkable in that they are super-saturated, and there is a curious textural quality in her pieces that is uncommon.

Most impressive about Hallman’s work, however, is the unusual and laborious technique she employs to achieve all these results. The artist begins by using dry pigments (in a powder form) and applies the pure and rich tones to paper. When she is satisfied with the layout of colors, she sprays a clear acrylic which sets the pigments in place. She then applies multiple layers of pigment, masking off different areas with tape, applying pressure with her hands; no brushes are used. Then, she scrapes away selected areas revealing previous layers and all tape is removed. At this juncture, Hallman assesses the work.

In some instances she applies acrylic mediums, using the masking off and tearing away technique. She continues this procedure until the desired effect is achieved. The next step, if the artist chooses, is to apply thin color washes and/or combinations of oil mixed with dry pigment on the top surfaces. In all her pieces, Hallman uses a combination of the methods described above; applying colors in layers and scraping away until the piece "reaches maturity"

Terri Hallman’s art is unique. She thinks each of her creations is in a state of constant movement and transformation; always beginning by drawing abstract lines and building up the piece in layers, which develops into a more "realistic" creation. Hallman feels that the layers represent "the way things were", and the building up process to completion is "the way things are."

videobiography